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Matt on Music: New Skrillex EP “Leaving”

(02/20/13 11:30pm)

Sonny Moore, also known as Skrillex, is in a very convenient position in his career. He may not be making the most money in the music industry, he doesn’t have the most Facebook fans and he definitely isn’t the most critically acclaimed artist. Still, there are few musicians who are in the same spot he’s in; the spot where he can do practically whatever he wants because nobody’s going to change their mind about him.



Matt on Music: Bettie Serveert's 'Oh, Mayhem!'

(02/24/13 10:27pm)

It’s interesting to look into what happened to all of the ’90s indie bands after the ’90s ended. Pavement broke up, of course, while Modest Mouse’s success continued to grow. A lot of them lost much of their popularity, but how their later discography held up varies from band to band. R.E.M.’s later music never held a candle to their older stuff, while The Magnetic Fields released many great albums after their 1999 classic “69 Love Songs.”


Matt on Music: 10 greatest artists (whose greatest hits suck)

(02/27/13 10:24pm)

While researching this list, I had a stunning realization: The music-buying public is not stupid. This was a hard list to research, mainly for that reason. When an artist stops being good, they typically stop having hits. This list, however, is about the flukes—the strange instances where an exceptional artist’s biggest hit on the Billboard Hot 100 was one of their worst songs. These are the 10 greatest artists (whose greatest hits suck).



Matt on Music: Kacey Musgraves' 'Same Trailer Different Park'

(03/17/13 10:48pm)

The title of country singer-songwriter Kacey Musgraves’ new album, “Same Trailer Different Park,” comes from her acclaimed country hit “Merry Go ’Round,” which was released in September 2012. It was a surprising masterpiece, displaying a blunt kind of cynicism rarely seen in country music. It was such a contradiction to the genre’s rural obsession that it might as well have called “Miserable in a Small Town.”



Matt on Music: Corsair

(03/20/13 11:26pm)

Virginia-based rockers Corsair initially seemed like the type of group whose every idea represented something I dislike. They are typically described as heavy metal, their name is boring (although, to be fair, so are the names of the majority of bands I like), the cover of their self-titled album appears to be a failed attempt at epic imagery (which, in heavy metal, is often used to compensate for a lack of imagery and epic qualities in the songs), and they open the album with an instrumental called “Agathyrsi” that nears six minutes in length. Everything was in order for me to hate this band.


Matt on Music: Justin Timberlake's 'The 20/20 Experience'

(03/24/13 9:00pm)

While it’s often believed (especially by people who hate pop music) Justin Timberlake first came into his own as an artist with 2006’s “FutureSex/LoveSounds,” that can really be traced all the way back to ’N Sync. If not on their debut, Timberlake at least began to come into his own on “No Strings Attached.” It was there that he began to stand out as not only the finest lead singer in the boy band scene, but one of the finest singers in music.


Ypsilanti musician Watabou works on new projects, shows

(03/24/13 9:04pm)

Travis Jarosz is a pretty common name in the Ypsilanti music scene. He’s been involved in a few musical projects, ranging from metal bands to some short-lived jazz projects. He’s currently working with indie band Walk Your Bike, electro-punk Crochetcatpause and his electronic side project, Watabou. Watabou started in April 2009 as a general outlet for Jarosz’s musical ideas. He was involved in a couple of bands, but many of his bandmates were focused on the sound their band was creating or weren’t able to fully dedicate themselves to being in a band.


Ranked by hilarity: Worst album covers

(03/29/13 8:17pm)

Awful album covers are incredible. For every “Sgt. Pepper’s Lonely Hearts Club Band” or “The Velvet Underground & Nico,” there’s a few amateur (or even, sometimes, mainstream) artists whose album cover designs are just absurd. Sometimes, this turns out quite disturbing (every Cannibal Corpse album cover) or just creepy (“Julie’s Sixteenth Birthday”).


Guitarist overcomes disability to play well

(04/03/13 10:37pm)

Guitarist Donald Lajiness, a sophomore at Eastern Michigan University, steps to the front of the Alexander Music Building’s auditorium to a burst of ecstatic applause. He sits down in the proper classical guitar position— foot up, fretboard raised —and begins to strum the opening chord of the mysterious-sounding “Koyunbaba,” a modern piece with Turkish influences composed by Carlo Domeniconi. After a nearly flawless recital, the musician basks in the glow of his fellow music majors’ collective cheering and praise.



Matt on Music: Low's 'The Invisible Way'

(04/07/13 8:31pm)

“Mormons can’t rock. There, I said it,” a friend of mine quipped about Low after I posted my overview of the band on Facebook. In response to that statement, I must bring up the Butler brothers of Arcade Fire and New York Dolls bassist Arthur Kane, as well as the fact that Low isn’t a particularly rocking band. Their style is mainly based around minimalism, harmony and beauty; three things that many people, including my friend, love about The xx, and what I love about Yo La Tengo’s “Fade.”